Student Work
Featured Essays
New Digital Cinema Production Course for Fall 2026
by stevenderosa | October 17, 2025 | Featured Essays | 0 Comments
The Ox-Bow Incident: An Analysis
by stevenderosa | May 1, 2025 | Featured Essays | 0 Comments
4th Annual Student Screenwriting Competition Winners
by stevenderosa | May 14, 2024 | Featured Essays | 0 Comments
The Wilder Touch
by stevenderosa | December 15, 2023 | Featured Essays | 0 Comments
Coming to Terms
by mercycollegefilmandculture | November 16, 2021 | Featured Essays | 0 Comments
by Isaiah Speller
The Gunfighter (1950) film encapsulates one’s deviation from being good and facing fatal consequences. Cowboys in earlier Westerns were portrayed as heroes who followed an honorable code, while this Cold War Western challenges the protagonist and the American audience. From both the movie and the events happening offscreen, it is easy to compare the tense environment of Cayenne to the United States emerging as a superpower following World War II.
Meta-Media Cinema Series
by mercycollegefilmandculture | September 21, 2021 | Featured Essays | 0 Comments
Nostalgia and Social Justice: The Cinema of Orson Welles
by mercycollegefilmandculture | June 29, 2021 | Featured Essays | 0 Comments
by Veronica Boscia — During a 1938 radio broadcast, Orson Welles stated “Almost all serious stories in the world are stories of a failure with a death in it. There is more lost paradise in them than defeat.” Welles tells these stories brilliantly with both his narrative and innovative cinematic film techniques such as use of shadows, deep focus wide screen lens, story within a story flashbacks and more, while at the same time using his progressive political views in regard to the cultural and historical context of that time in effort to expose corruption and to bring forth social justice.
Student Screenwriting Competition 2021 Winners
by stevenderosa | May 17, 2021 | Featured Essays, Program Announcements | 0 Comments
Blood and Chains, New and Old
by mercycollegefilmandculture | March 30, 2021 | Featured Essays | 0 Comments
by Gordon Ward — There are several reasons to class Django Unchained as a revisionist western, but perhaps the most obvious is the fact that the eponymous main character is African-American. Despite what some classic westerns would have you believe, a large number of people in the west at the time were black. There were black outlaws, black cowboys, and even some black lawmen like Django.